Thiel-a-Vision Review: Watchmen

I don’t believe anyone could reasonably expect a better Watchmen film. That’s not to say that it’s the best. movie. ever. Just that it’s unlikely that anyone else would ever have made one with more fidelity to the source material. Just imagine what could’ve been. We could’ve had the Joel Silver version with Arnold Schwarzenegger as Dr. Manhattan. Consider that for a moment, then give director Zack Snyder his due.

Admittedly, it’s been a few years since I’ve read the book, but aside from some supporting characters and a certain squid, I don’t recall any significant deletions.* And, let’s face it, the squid was never gonna make the cut. Honestly, I think the film’s alternative to the Psychic Calamari of Doom makes more sense, both logically and thematically.

I’ve got a few small criticisms. The acting’s…well, okay. While I’m pleased that for the most part Snyder avoided casting familiar names, I feel that some of the performers were chosen more for their resemblance to the original drawings than for their thespian skills. 

The violence is also a bit much. I suspect that the translation from comic to motion picture accounts for some of the grue; drawings depict isolated moments in time, but a film sequence by its very nature includes many more such images.

At the end of the day, I think that Watchmen was a very faithful retelling of a story that wasn’t all that much fun to begin with. It’s telling that the nearly all of the humor comes from the darkest of all the Watchmen, the psychopathic Rorschach.

Yet–and yes, I realize that a sequel is entirely beyond the point–I have to admit that I kinda want to see the further adventures of Nite Owl and Silk Spectre. If only to watch Alan Moore spin in his beard.

*The pirate comic that runs in parallel to the novel’s main narrative is also excised, but they’ve made an animated version for DVD that almost certainly will be edited back into some future, five-hour director’s cut.

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Ratings Guide

Zero   What the hell were they thinking? Even Ed Wood was more entertaining.
1/2   Dear God in Heaven. Probable involvement of Jerry Bruckheimer and Michael Bay.
  Seriously shit. Based upon a Saturday Night Live skit.
1/2   Mildly crap. Eddie Murphy made another family comedy.
  It's not good. It's not bad. It's just there.
1/2   Has its moments. A bonus half star for a particularly cool robot or perky breast.
  Solid entertainment. Exploding robots and/or multiple bare breasts.
1/2   As good as most movies can hope to achieve. May include full-frontal nudity.
  Like Mary Poppins herself, practically perfect in every way.

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